Quand l'auteur de "Haute Voltige" et du "Petit éloge de la nuit" nous parle d'amour...
This anthology, the first of its kind, aims to be comprehensive. Valentina Polukhina surveys the entire scene, reading some 1000 collections and manuscripts, and thoroughly investigating what is accessible on the vibrant Russian literary Internet. The anthology ranges from Moscow to Vladivostok. It includes writers from former Soviet Republics such as the Ukraine. Work by Russian women poets living abroad (in Britain, the United States, Italy, France, Israel, etc) is also represented. Focusing on the middle generation, with major figures like Svetlana Kekova, Vera Pavolova and Tatyana Shcherbina, the anthology includes work by the youngest generation, born after 1970 and virtually unknown outside Russia, as well as senior poets like Bella Akhmadulina and Natalya Gorbanevskaya. Consultants have included scholars, critics and editors, like Dmitry Kuzmin, who created the indispensable poetry website for younger poets, Vavilon. Other consultants in Russia include Olga Sedakova (Moscow State University/MGU), Irina Kovaleva (MGU), and Lyudmila Zbuova (St. Petersburg University). Translators include such distinguished English poets as Elaine Feinstein, Ruth Fainlight, Maura Dooley and Carol Rumens, as well as Russianists and scholars in Britain and the United States such as Peter France (Edinburgh), Catriona Kelly (Oxford), Robert Reid (Keele) and Stephanie Sandler (Harvard). 'Russian poetry is in a healthy state as it leaves the glaciers of Communism for the steamy jungle of western hedonism,' D.M. Thomas declared in Poetry London. The anthology provides a host of insights into post-Soviet reality, from the point of view of women writers who were less compromised by the Soviet system, offering more resistance to the pressures of political conformism.
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Laurence Cossé, auteur, jurée du Prix Orange du Livre 2017
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